Ever since I was a child, I’ve enjoyed a little literary Halloween entertainment. From the classics like The Legend of Sleepy Hollow, Frankenstein, and Dr. Jeckyll and Mr. Hyde to the more modern fare like The Cabin in The Woods, so long as it didn’t involve chainsaws or harm children, I was in. Not so much, not anymore.
It feels like the world has become one giant horror story, and it is the kind full of blood and gore that harms children.
Like in the 19th century tales, the supposed good doctor plays God and does terrible harm. Yet, people are fooled by the benevolent masks and false words, just like Hansel and Gretel were deceived by the witch in her gingerbread house. We are seduced by the suave and moneyed Count Dracula, and like idiots we fall prey to peer-pressure and explore the haunted house on a dark and stormy night.
We refuse to believe that a seance poses any threat to us because of our normalcy bias. We don’t really believe anything bad can happen to us, at least not anything that can’t be undone easily. 1
Yet, there are monsters who walk among us. Narcissists, psychopaths and other sadistic personalities wear convincing masks as they preside over a Red Wedding type masquerade, that echos The Masque of the Red Death.2
It is the message in The Masque of the Red Death that really is most chilling. People think they can celebrate themselves and thumb their nose at death but ultimately foolishly fall prey to its cold grip, as there is no escape once any of us cross certain thresholds.
That is what I see when I see scientists who developed a N1-Methylpseudouridine that prevented the Covid vaccine mRNA from deteriorating within hours like normal mRNA were awarded the Nobel Prize - this despite evidence that the pseudouridine persists for months and perhaps indefinitely and that its “sticky” nature has attracted endotoxins and bits of DNA to it which can be inserted into host cells where they are undoubtedly causing most of the turbo-cancers. The foreign DNA, LNP and endotoxins also explain the spate of seizures in vaccinated pre-schoolers and heart-attacks in people of all ages like the 8-year-old Israeli Covid19 vaccine poster child who died of a sudden cardiac arrest (SCA) in October, much like what happened to 54-year-old Matthew Perry about a week later.
Even as the data of youthful deaths continue to pile up, and devastating illnesses like cancer, SCA, neurodegenerative conditions, autoimmune disorders, and persistent rashes and neurological symptoms plague us with little respite, the monsters-in-charge retire with obscene pensions and take to the talk circuit where they further capitalize on their cult of personality in order to rake in more profits.
But this Halloween, I feel the most horror in the banality of evil and rise of authoritarianism.
Ordinary people continue to use all sorts of justifications for chronic illness and unexplained deaths which include the false-dilemmas, climate change and Orwellian rewrites of history. 3
People continue to use ostracism to cast out anyone from their group who doesn’t perfectly toe the line.
Egotists, big and small, rule with an iron fist.
The real-life horror of this Halloween for me is that even as many claim “we are out of the pandemic” the excess deaths and devastating disabilities continue to mount as the global birth rate is plummeting everywhere Covid vaccines were deployed.
It feels as if real life has become a mash-up of the prequels to The Hunger Games and The Handmaid’s Tale, where everyday monsters wearing the Narcissist Mask call the tunes as we dance the dance of the dammed.
Maggie Russo is the author of “Dance with the Devil: Love in the Age of Covid”
Normalcy bias is cognitive bias which leads people to disbelieve or minimize threat warnings. Consequently, individuals underestimate the likelihood of a disaster, when it might affect them, and its potential adverse effects. Moreover, people will deny many adverse impacts are exceptional and cling to the belief that things will get better when they won’t and can’t.
The Red Wedding was a bloody set-up that killed off many of the characters in Game of Thrones. The Masque of the Red Death was a short story about a Carnival celebration written by Edgar Allen Poe that was set during the Plague Years.
Not mentioned in this blog post is the fact that we have evidence that Pharma not only doctored their files on the vax-injured in the trials, Pharma intentionally deleted evidence of SV40 promoters and other contamination from the documents they submitted to FDA and other agencies, and promoted their profitable product for pregnant women even when they knew it could and would infect fetuses resulting in cancers and autoimmune disorders. How much more monsterous can it be? https://childrenshealthdefense.org/defender/pfizer-vaccine-dna-pregnant-mother-fetus/